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Podcast: Create a Green Screen Effect

Friday, July 11, 2008



In this new podcast, we illustrate how to create a green screen effect using Boris Continuum Complete's Chroma Key filter in Apple Final Cut Pro. BCC Chroma Key is used for compositing camera footage shot using a blue, green, or orange screen as a backdrop over a new background video or a still image from a separate file. BCC Chroma Key is also included as part of Boris FX 9.2 and Boris RED 4.3.

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Podcast: Create a Flickering Text Effect with Boris Title Toolkit

Tuesday, January 29, 2008



Learn how to create a flickering text effect with Boris Title Toolkit!

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Boris Blue 2 Now Available

Wednesday, September 5, 2007

Now available as an Avid AVX plug-in as well as a standalone application

Boris Blue 2

Boris Blue 2 is an Avid AVX plug-in and standalone 3D compositor for Windows XP. Based on the familiar Boris interface, Blue is designed for video editors and compositors who want to create stunning 3D looks without the learning curve and render times associated with 3D applications. Perfect for post facilities with client-supervised sessions or demanding deadlines, Blue uses the latest-generation NVIDIA GPU-based graphics cards to provide an interactive effects design experience. Blue delivers real-time processing of 2D and 3D effects as well as real-time playback of video and audio media. Users can adjust effect parameters during playback, a "front room" capability that is ideal for working side by side with clients. The fast export to disk, including hardware rendered anti-aliasing, motion blur, and 3D shadows, provides significant time savings.

What's New in Blue 2 | System Requirements | 14-day Trial Version

New Podcast! Boris Blue 2 Overview

Check out our newest podcast for an overview of Boris Blue 2...

Boris Blue 2 Podcast

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Podcast: Upscale Media in Final Cut Pro 6 with BCC 5 FxPlug

Tuesday, August 14, 2007



Continuum Complete 5's new UpRez filter lets you upscale SD video to HD. In this Boris FX podcast, Dave DiPinto demonstrates a possible production scenario in Final Cut Pro 6 where you have D1 resolution stock footage that you want to use in a 1080 HD project.

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