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Webinar Replays
Boris Events
Live Webinar: Professional VFX and Titles in Sony Vegas Pro
Thursday, February 16, 2012 @ 1:00 PM U.S. Eastern Time
Webinar Replay: Professional Titles and VFX in EDIUS
Thursday, January 26, 2012 @ 1:00 PM U.S. Eastern Time
Webinar Replay: Killer Transitions in Adobe Premiere Pro
Thursday, December 15, 2011 @ 1:00 PM U.S. Eastern Time
Webinar Replay: Professional VFX in Avid Media Composer 6
Thursday, November 17, 2011 @ 1:00 PM U.S. Eastern Time
Boris TV Channels
Friday, October 30, 2009

"We were excited that Boris Continuum Complete's UpRez filter worked as well or better than the hardware scalers, even when viewed off a 2K projector in a large theatre. This simplified our workflow tremendously and provided us with more flexibility. For some material the UpRez was so clean we had people questioning if we had actually pulled the shots from the original negative!" - Tony Manolikakis, creative director, Rev13 Films
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Labels: BCC-6, Boris-User-Story
Wednesday, September 16, 2009

Martin Zwanzger proves that you don't need to run a million dollar film studio in order to work on big movies. Out of his home office in Nuremberg, Germany, Martin offers his services for all kinds of graphics, post production, film, and VFX work. His customers include ScanlineVFX, ARRI Film & TV, Constantin Film, and Concorde Filmverleih, working on projects such as "The Chronicles of Narnia 2" , "300" , and "Iron Man" . One of his common jobs is creating title animations and movie trailers. For this he generally uses Adobe After Effects.
"One of the big advantages of After Effects is that there's such a large amount of additional tools out there. If you need anything specific, you can often just add that feature by downloading and purchasing a plug-in - no need to wait for a product update or switch to a completely different application. In this business it's important to stay up-to-date and be able to meet customer's expectations concerning specific effects. That's why I always try to follow what's going on in the plug-in market," says Zwanzger. "When Boris FX introduced Continuum Complete 6 and I heard about the new 3D text features, I had to check it out immediately. I was just working on the title sequence for a feature film and also on a 3D movie trailer, so the timing was perfect. With BCC 6 I was able to create real 3D text animations without ever having to leave AE."
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Labels: BCC-6, Boris-User-Story
Friday, September 11, 2009

"It's true that at $995 Boris Continuum Complete 6 is a bit of an investment for your Motion Graphics working environment. However, the developers have taken a lot of time to deliver a plethora of effects to make a designer's life easier. Many of these effects include modifications of standard AE effects with added functionality, while many others are unique to Boris. And still other effects mimic high-level and sought after third-party effects. For the price, Boris delivers a ton of bang for the buck. While you get a ton of effects, it's really the amount of presets, ease of use, and functionality that take this whole suite to the next level."
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Thursday, August 27, 2009


"If you could only purchase one comprehensive set of plug-ins for your NLE, the answer is simple: Boris Continuum Complete. Currently at a well-seasoned version 6, Boris FX offers Continuum Complete for AE (After Effects and Premiere), FxPlug (Apple Final Cut Studio and Final Cut Express), AVX (including Media Composer 3.5, NewsCutter, Symphony and a version specific to Avid DS 10 or greater) and Sparks (Flint, Flame, Inferno and Smoke). The ability to support such a wide range of NLE and motion graphics/compositing packages is in itself a tribute to Boris. The fact that the performance and quality is consistent across all of these diverse hosts is nothing less than miraculous."
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