“The Image Restoration group of filters includes the Flicker Fixer. This tool offers a choice of intra-frame analysis or temporal flicker smoothing, allowing you to repair video affected by a flickering light source or uneven shutter exposure. One day this filter will save your life by solving a real-world problem. Here’s an example: I was shooting some footage on a sunny Florida golf course in 20 mph winds. Fast-moving clouds were causing iris problems, so I switched my iris to auto, but that made the footage a bit jumpy as it compensated for the constantly changing light. The BCC Flicker Fixer was able to even out the footage and save the shoot, which more than paid for the whole Boris Continuum Complete filter set.”

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“Anything that will improve our final image is appreciated. 32-bit float precision color rendering makes upgrading well worth it, not to mention a host of new filters and transitions and the inclusion of the Beat Reactor for Premiere Pro. If you have never used FEC, I suggest taking a good look at it. You’ll be pleasantly surprised.”

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Videomaker has named Boris Continuum Complete v8 the BEST Post-Production Plug-ins of 2012!

Here is an excerpt from the January 2013 issue of Videomaker:

“Continuum Complete 8 boasts a plethora of tools for manipulating images, generating effects, and keying footage. More than 200 built-in effects ensure that every editor will find something to meet their needs. Tools include a vectorscope and waveform monitor, for better management of exposure levels and contrast; BCC Film Glow for nice, soft film effects; Flicker Fixer for correcting footage shot under flickery light sources; and 3D lens flares. Add in Stage Light for volumetric lighting effects; Particle Emitter and organic strand generation, and it’s easy to see why Boris Continuum Complete 8 takes the honor as our BEST Post-Production Plug-ins winner.”

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“Using Boris FX is very simple. I do most of my editing with Adobe Premiere Pro, so we’ll use this for examples. Boris FX v10 is good for many things, but my favorite is transitions. Let’s say I want to do a heavily distorted circular wipe, with heavy lens distortion. In Premiere Pro I lay down the background shot on Video 1, then I add my foreground shot on Video 2. I go to Effects, select Boris FX 10 filter, and add it to my Video 2 clip…”

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“In today’s market, these effects are desired, and you will make good use of them. If you’re a professional editor working in the video production industry, it won’t take long for this to pay for itself.”

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“By including these capabilities in one package, Boris FX has given you a broad set of high-end tools without the cost of buying expensive individual plug-ins from other companies. I especially appreciate the integration most of these filters have with After Effects’ 3D camera and lighting, providing us with tools that add immense depth and complexity. In addition, expanded GPU integration means faster rendering and higher quality output…”

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“BCC Lens Flare 3D is an upgrade of BCC 7′s Lens Flare and Lens Flare Advanced plug-ins. The artist can now use After Effects’ own comp camera with the plug-in, or use the built-in camera from the filter. It also includes camera and light rigs for Premiere Pro. There are a multitude of choices to make, from fog to flickering. There are also a number of presets ranging from Big Bright Amber Light to Z-Stripe – a flat white stripe emanating from the light source. Other highlights include: the use of luma values to automatically generate flares; automated shimmers; colored rings; and chroma hoops and chromatic aberrations. There is a wide list of improvements to flares in BCC 8.”

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