In this Boris TV episode, Kevin P McAuliffe creates a video wall in 3D space in just minutes using Boris Continuum Complete’s Wild Cards filter in his Avid editing system. Not only is BCC Wild Cards easy to use, but it is quick to manipulate to produce stunning effects. BCC Wild Cards is new in version 8 of BCC.

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Stuart Haight demonstrates how easy it is to apply BCC Jitter to simulate camera shake or give movement to a title. Keyframing is a breeze with Bezier curves as well as on-screen graphs that show how the amplitude of the Jitter will affect the image. BCC Jitter includes a number of presets that give you a starting point for your jitter. Not only can you make the image jitter, but you can also affect the image using built-in parameters such as Blur.

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Experience the power of Boris Continuum Complete 8 and Avid FX 6! Meet Kevan O’Brien and learn how to take your projects to the next level with these powerful toolsets that help you unlock your creativity.

When
Friday, January 25th at 6:30pm

Where
AlphaDogs
1612 W. Olive Ave. #200
Burbank, CA 91506 USA

Space is Limited! Register Now

Watch Kevin P. McAuliffe take an audio clip and automatically animate BCC Film Glow to music using the built-in Beat Reactor. Many BCC effects integrate Beat Reactor and this tutorial shows you how to easily create animation as well as a neat trick to ensure that the effect animates evenly across three clips.

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On Thursday, December 20th, Avid Certified Instructor Jeff Greenberg demonstrated how to fix a variety of common post-production problems using Boris Continuum Complete in Avid editing systems.

Here are a few comments from the webinar attendees:

“Indeed the webinar was quite inspiring especially when Jeff was dealing with the film process effects. Brilliant.”

“It was great! Especially the part about Noise Reduction and PixelChooser!”

“Many great tips that blew my mind.”

“Jeff is a really good presenter and knows the Avid really well.”

“Thanks for the great webinar. I am an FCP editor and I still learned new things that will translate to my NLE.”

We are pleased to provide the following materials as a free download:

• Fixing It In Post with Boris Continuum Complete webinar recording
• Jeff Greenberg’s webinar presentation in PDF format
• Digital Filmmakers Podcast Q&A with Jeff Greenberg – Post-Webinar Interview

Download the Webinar Materials

Terence Curren of AlphaDogs talks to Boris TV about his experiences with Boris Continuum Complete. He discusses his favorite features and how Boris Continuum Complete has continually saved time and effort.

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Using BCC’s powerful Lens Flare 3D filter, Kevin P. McAuliffe shows you how to set up lighting effects in your favorite Avid video editing system. First, Kevin demonstrates how to create multiple lights that blink automatically. Then, he combines BCC Extruded Text with BCC Lens Flare 3D to create a starting title sequence.

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When
Tuesday, November 20, 2012 @ 1:00 PM Eastern Time

Join Avid Certified Instructor Jeff Greenberg as he demonstrates how to fix a variety of common post-production problems using Boris Continuum Complete in Avid Media Composer. Jeff will show you how to:

• Remove Flicker and Fix Auto-Iris Camera Issues. Repair video affected by a flickering light source or uneven shutter exposure with Boris Continuum Complete’s Flicker Fixer filter. One day this filter will save your life!

• Create Top Notch Keys. One of the most difficult effects to do inside of a nonlinear editing application is a Chroma Key. The video editor’s built-in keyer may not work for every shot and you may need extra tools to refine the matte to make it look seamless. With the power of Boris Continuum Complete inside of Avid’s Media Composer, not only can you create a fantastic looking key from a poorly shot plate, but you can refine it using Matte Choker and Light Wrap.

• Transform Dull Shots. Improve average-looking shots while matching the look of the rest of the project using Boris Continuum Complete’s Film Grain and Film Glow filters.

• Reduce Noise. Learn how to solve a common problem that is starting to creep up in HD workflows.

• Smooth and Soften Skin Imperfections. In the world of HD, you start to see every little imperfection, every little crack, and every little pore in someone’s skin. You may also see some bad makeup jobs. Smooth over these and other imperfections with Boris Continuum Complete’s Smooth Tone filter.

About Jeff Greenberg
Jeff Greenberg decided to leave a pre-med program to pursue a degree in film. He’s the Owner of JGreenberg Consulting and Senior Instructor for Future Media Concepts. Over the last decade, he’s amassed over 20 different certifications and is a Master Adobe, Apple, and Avid Instructor in the areas of editorial, compositing, sound, color correction, and compression. Along the way, he’s been well received as a seminar speaker, works as a post-production specialist/consultant, and is responsible for the Editors Retreat – a yearly exotic getaway by editors, for editors. Occasionally, he has written books and articles. He also has video teaching materials available from Lynda.com and Vasst.com.

BCC Videoscope is a powerful tool for ensuring broadcast safe color levels at any stage of your project. In this video tutorial, Kevin P. McAuliffe shows you how to set up BCC Videoscope’s waveform monitor and illustrates the filter’s Zebra Pattern and Magenta settings for highlighting areas in your footage that are not broadcast safe.

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Join Boris FX Senior Product Manager Peter McAuley on Wednesday, October 24th as he demonstrates Boris Continuum Complete and Boris RED at Manhattan Edit Workshop, located at 80 Fifth Avenue Suite 1501 in New York City. The demo will begin at 6:30pm. Drinks will be served and one lucky attendee will win a free Boris Continuum Complete license. The demo is free, but spots are limited, so register now!

Register for this Free Event

About Peter McAuley
Boris FX Senior Product Manager Peter McAuley has been involved in the development of state of the art graphics technology for print, video, and film since the mid 1990s and has been a part of the Boris FX team since 1999, where his responsibilities include managing the Boris Continuum Complete, Final Effects Complete, Boris RED, and Boris Transfer product lines. Prior to his involvement in technology development, he was a production artist specializing in the creation of high-end imagery for print advertising in the U.S. and Europe.