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Version 4 offered major improvements to the award-winning BCC AVX version 3 by building on core technologies such as Optical Flow, OpenGL and motion tracking.
All BCC AVX filters that include the PixelChooser feature have been revised to incorporate Avid's Advanced Keyframing technology, which enables the use of bezier (and other) interpolation between keyframes for smooth motion and other effects.
The Corner Pin filter lets Avid users map media to a moving object using perspective distortion to a clip. A four point motion tracker automatically pins a clip onto a specific region of another clip.
The OpenGL-based 3D Extruded Image Shatter filter shatters a clip into three-dimensional particles with adjustable extrusions. The filter provides a variety of explosion, velocity and gravity and auto-animates by default, although you manually animate it for precise control.
The Halftone filter simulates the look of traditional offset printed material by converting the image to simulated halftone dots.
The Median filter creates painterly brush style effect by making each pixel look like the majority of its neighboring pixels.
The Motion Key filter is based on proprietary optical flow technology first introduced in BCC AVX's Optical Flow and Motion Blur filters. The Motion Key isolates and removes moving foreground objects from a clip without the need for complex masking or cloning.
The Optical Stabilizer uses optical flow technology to analyze a shaky clip and then adjusts the track's position to compensate. Unlike many stabilizing tools, the BCC Optical Stabilizer does not require you to set user-defined tracking points. This allows Avid Editors to stabilize images where tracking data is unreliable.You can also stabilize just a portion of a track to correct isolated camera bumps.
Unlike many stabilize effects which only takes horizontal and vertical movement into consideration, the BCC Optical Stabilizer allows Avid users to take motion, rotation and scaling into account when stabilizing.
Avid Editors can now apply the BCC Glint, Glare and Glitter filters to an Avid title or matte and the light emanates from the text. In previous versions the light was constrained to fill the text.
The Color Match filter quickly matches the color and luma values from the highlight, midtone and shadow areas of two separate clips.
Most BCC AVX 4 filters feature the option of processing in either 8 bit or 16 bit color for the highest quality result.
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