Breaks the source image into particles and disperses them in 2D space.
Shatters the image in 3D space and disperses the image fragments.
Makes the source image appear as if it is stretched over a surface with a bulge or a depression.
Allows you to map media to a specific area on a moving object in a media file
Models the source image onto one or more faces of a cube. You can use a separate media source for each of the six faces.
Maps the source media onto a cylinder.
Uses the luminance or color information from an alternate video or still image track to displace the pixels in the source image horizontally and vertically.
Flips or mirrors your image. You can flip your image vertically or horizontally, or define an invisible mirror line that mirrors your image in various directions.
Lock the movement of one image clip to another image clip using the built-in motion tracking function.
Creates a 3D model of a page turning in a book or magazine, and allows you to place media on both sides of the page.
Automate the work of documentary style effects, where a large still image file is moved along the x and y axis and scaled up or down in a composite.
Uses a secondary input image to displace the pixels of the filtered image radially outward from the filters center point along an arc of a circle.
Simulates ripples spreading out from a point of origin in a pool of water, similar to what you see after tossing a pebble into a pond.
Maps the source image onto a 3D modeled sphere.
Generates auto-animated gell-like distortion fields in an image clip based on input from the built-in noise map and turbulence controls.
Spins the image around a center point, creating a spiral of distortion.
Uprez source clips (SD to HD for instance) with superior results, especially when compared with the result from a host standard scale transformation.
Uses the RGB channels in the Map Layer to displace the image in three different directions.
Creates parallel waves instead of waves that radiate from a point.
